Skip to main content Accessibility Policy

COVID-19 STATUS: SCAD announces plans for spring quarter. See the full announcement at scad.edu/coronavirus.

Tracy Cox-Stanton

Cinema studies professor

Education

  • Ph.D., English, University of Florida
  • M.A., English, University of Florida
  • B.A., English, University of West Florida

Credentials

  • Professor of Cinema Studies, 2006–present, Savannah College of Art and Design, Savannah, GA
     
  • Assistant Professor of English and Director of Media Studies, 2003–06, Kalamazoo College, Kalamazoo, MI
     
  • Visiting Assistant Professor of English, 2000–03, Kalamazoo College, Kalamazoo, MI
     
  • Graduate Teaching Assistant, 1993–2000, English Department, University of Florida, Gainesville, FL

Awards, recognitions, and honors

  • Savannah College of Art and Design $5000 Presidential Fellowship Award, Summer 2016
  • Scholarship in Sound and Image, Workshop on Videographic Criticism at Middlebury College, Vermont, sponsored by the National Endowment for the Humanities, Summer 2015
  • Sabbatical Award, Savannah College of Art and Design, Summer 2014
  • Ambassador Choice Award, Savannah College of Art and Design, March 2012
  • Savannah College of Art and Design $5000 Presidential Fellowship Award, Summer 2007
  • Service Learning Course Development Grant, presented by Kalamazoo College, 2001
  • Excellence in Teaching Award, presented by the University of Florida English Department, 1999
  • Dissertation Fellowship, presented by the University of Florida English Department, 1999
  • Excellence in Teaching Award, presented by the University of Florida English Department, 1997
  • College of Liberal Arts and Sciences Dissertation Fellowship, Summer 1997
  • Phi Beta Kappa, undergraduate and graduate
  • University of West Florida's Presidential Leadership Scholarship, 1988–92
  • Florida Undergraduate Scholar's Award, 1988–92

Organizations

  • Society for Cinema and Media Studies

Publications and presentations

  • “‘Nearing the Heart of a Film’: Toward a Cinephilic Pedagogy,” in For the Love of Cinema: Teaching Our Passion In and Outside the Classroom, anthology edited by David Johnson and Rashna Richards. Indiana University Press, Nov. 2017.
  • “Still Life with Telephone,” Visual Arts Research, vol. 40, no. 1, 2014, 19–21.
  • Editor, The Cine-Files: A Scholarly Journal of Cinematic Studies. www.thecine-files.com. Founded online journal in Spring 2012, producing two issues per year.
  • “Consuming Distractions in Prix de Beauté [1930],” Camera Obscura 50, vol. 17, no. 2, 2002, 40–67.
  • Frankenstein and its Cinematic Translations,” in Critical Essays on Mary Wollstonecraft Shelley, ed. Mary Lowe-Evans (New York: G.K. Hall & Co., An Imprint of Simon & Schuster Macmillan, 1998,) 214-229.
  • “Diary of a Lost Spectator: Carving a Space for Female Desire in Patriarchal Cinema,” Spectator [The University of Southern California Journal of Film and Television Criticism], special issue on "Eccentric Consumption," ed. Ellen Strain, vol. 16, no. 1, Fall/Winter 1995, 32-43.
  • “Flicker and Shutter,” featured as part of “Indefinite Visions” program, Alchemy Film and Moving Image Festival, Hawick, Scotland, March, 2017.
  • “Flicker and Shutter,” published in the online peer-reviewed journal [in]Transition: Journal of Videographic Film and Moving Image Studies, 4.2b, 2017.
  • “‘Operating on the Object’s Scattered Parts’: From the Essay Film to the Video Essay,” Society for Cinema and Media Studies Conference, Toronto, Ontario, March 2018.