Undergraduate Courses
PROD 101 Introduction to Production Design
In this course, students are introduced to the fundamentals of production design for stage and screen including the application of costume, scenery, lighting and props and their importance in film, theater and television productions. The student is introduced to the impact that scene, light, costume elements and props have in a complete production or performance.
PROD 110 Drafting for Production Design
This course focuses on drafting for the entertainment designer with the intent of making the student fluent in the language of layout, shape, proportion, contour, mass, detail and the drafting standards set by the United States Institute for Theatre Technology.
PROD 130 Stagecraft
Students learn the equipment, techniques and procedures of technical production for stage and screen. Wood working, metalworking and lighting equipment all are experienced and applied.
PROD 150 Introduction to Makeup Design
Makeup design is a subtle, yet essential, part of many artistic undertakings, including fashion, photography, filmmaking and theater. After gaining an understanding of the anatomical structures of the head, face and neck, and the effects of lighting on those structures, students explore makeup products and their applications to create a “natural” face, do corrective makeup, and create a character. Professional standards are emphasized in the application of skills to real situations.
PROD 200 Production Management and Administration
This survey course is designed to familiarize students with the organizational procedures of the theater production process. Major areas of study include stage management and production management, with some reference to video and film production management.
PROD 210 Script Interpretation
This course develops students’ skills to identify relevant structure, plot and themes in script and text work. In addition, students learn the basic themes, structure and concepts that influence production design, performance and other facets of production for stage and screen. Research, critical thinking and analysis of script and text to develop design concepts for production design are also emphasized. The course also develops students’ skills to understand the structure, history and overall themes of published/produced work in screen and stage. Prerequisite(s): PROD 101.
PROD 212 Period Style for Production Design
With a sound historical base, lifestyles and societal influences are examined to understand the look of each period. Emphasis is on a chronological examination and is the goal of this class. The sociological and aesthetic aspects influencing the architecture, furnishings and textiles of the period as well as the subtle use of color indicative to specific periods are addressed. Geographical needs that contribute to style and design also are considered. The goal is that students learn the definitive need for conclusive and rigorous research. Prerequisite(s): PROD 101.
PROD 220 Lighting Design I
This course examines lighting design, from the germination of the idea to the final project. Through class discussion and critiques, students’ lighting concepts are developed and refined. Prerequisite(s): PROD 110, PROD 210.
PROD 221 Scenic Design I
In this course, students focus on the development of scenic design ideas and their application in theater, film and television. By developing, articulating, and defending design concepts, students demonstrate successful scenic design projects for theater, film and television. Prerequisite(s): PROD 110, PROD 210.
PROD 225 Survey of Themed Entertainment Industry
Students in this course will be introduced to the Themed Entertainment Industry. They will explore the process involved in the delivery a new project, observe working operational venues, and study the design and operational criteria utilized during each phase of a project life cycle.
PROD 230 Costume Design I
This studio course explores the exciting and creative world of costuming for stage and screen. Assignments enable students to develop skills in areas such as rendering, swatching, play analysis, fabric modification, masks, hats, draping, accessorizing and productions. Additional practicum time is required and assigned by the professor. Prerequisite(s): PROD 210.
PROD 235 Styles of Hair Design
Students will explore the evolution of hair styling, wigs, and the culture of hair design from ancient times to present day. They will research the social implications associated with facial hair and hair style as adornment and its relationship to class hierarchy and social status. Styles for men and women will be explored by analyzing styling techniques and practices recorded on art of the period.
PROD 260 Scenographic Model Making
This course will focus on the materials and methods used to build scenic models for the stage and the screen. Students will learn techniques that will allow them to build accurate presentation models and work safely with various materials.
PROD 270 CAD for Production Design
This class focuses on hand drafting for the entertainment designer with the intent of making the student fluent in the language of layout, shape, proportion, contour, mass, detail and the drafting standards established by the Unites States Institute for Theatre Technology. Prerequisite(s): PROD 110, PROD 220, PROD 221.
PROD 280 Scenic Painting
Through hands-on projects, students learn a variety of methods to represent an array of surfaces and images by using scenic painting techniques and tools. They experience different medium and equipment necessary to accomplish these goals. Students develop an appreciation of the process and the role of the scenic artist in production. Prerequisite(s): PROD 110, PROD 221.
PROD 300 Rendering for Entertainment Design
Through study of various techniques and medium, design students produce drawings of scenery, costumes, and lighting essential to the production process. By researching influential designers of the 20th century, the student finds a means to communicate with fellow designers as well as evaluate a successful rendering. Prerequisite(s): PROD 101, PROD 220, PROD 221.
PROD 305 Drafting for Lighting Design
This course focuses on the specific drafted communication skills required by lighting designers in film, live entertainment, and themed design. Building these essential skills, distinctive and different from those skills of a scenic or production designer, in both hand drafting and Computer Aided Drafting will refine a student's understanding of the design process. Prerequisite(s): ELDS 225 or PROD 270.
PROD 315 Drafting for Production Design II
This course explores realistic interior period detailing, using pencil drafting. Emphasis is placed on using our eyes and pencils to draw correct period proportion and shapes. Lumber and material sizes are explored in structural drafting. Correct scenic coding conventions are taught. A spreadsheet is used for door, window and hardware schedules. The final project is a period Savannah interior room, which is surveyed and scenically drafted. Students also construct a white model of the room. Prerequisite(s): PROD 110.
PROD 320 Lighting Design II
Through the development of lighting projects, students in this coursework to examine the process of lighting design projects from the germination of the idea to the final product. Students design lighting for events taking place in theaters, film projects, alternative spaces, as well as for media-based applications. Through class discussion and critiques, lighting concepts are challenged and developed. The projects result in two completely documented lighting designs. Students in this course are required to complete a lab component that focuses on practical applications. Prerequisite(s): PROD 220.
PROD 321 Scenic Design II
Using a broad range of drawing, ideation and presentation skills, students master the theoretical understanding and studio skills used in the professional arena of performance events, including stage productions, performance art pieces, installation projects, industrials, film, and television specific applications. Students actualize scenic projects and build portfolio level work. Prerequisite(s): PROD 221.
PROD 324 Themed Entertainment Design
This class will introduce students to the themed entertainment industry. Students will gain practical experience through design projects that will replicate key phases of the typical design process by generating the necessary working drawings and artwork. They will learn to evaluate the success of the guest experience for both proposed and operating attractions, parks, resorts, etc. This work will enhance their portfolio and demonstrate their basic knowledge of the industry design standards. Prerequisite(s): ANIM 385 or FILM 320 or IDUS 250 or INDS 210 or ITGM 352 or PROD 320 or PROD 321 or SERV 216 or SNDS 400 or VSFX 406.
PROD 325 Large Project Design Studio
Students will replicate key phases of large project design process from generating the necessary working drawings and artwork through the generation of detailed plans. A large project typically has a multi-million dollar budget with over a two year design-build schedule, and a diverse multi-disciplinary/departmental design team. Prerequisite(s): PROD 324.
PROD 330 History of Costume in Film
In this course, students focus on the history and development of costume design and its application in theater, film and television. They also develop design concepts and articulate, defend and demonstrate successful costume and wardrobe projects for theater, film and television. Prerequisite(s): PROD 230.
PROD 335 Costume Crafts
Students will complete a process of research, design, and construction of selected costume accessories for use in the visual narrative. They will experience various techniques of hand and machine stitching, fabric painting, color treatments, appliqué, embroidery, soft sculpture, ageing and distressing, and appropriate skills necessary to the support of the storyline. Emphasis will be placed on interpretation of character through the development of physical elements derived from the narrative and historic reference. Prerequisite(s): PROD 230.
PROD 350 Communication Concepts in Lighting Design
This course brings together the skills of documentation and communication with the complexity of advanced design in order to achieve a final lighting design product. Light plots, spreadsheets, databases, and portfolio-quality presentations will be produced by students in order to bring them closer to assistant, associate, and design positions. Prerequisite(s): PROD 320.
PROD 380 Costume Rendering for Construction
This course explores the important connection between rendering and costume construction. Students are encouraged to experiment with various mediums and to develop skills in drawing. Sewing techniques specific to costume building are illustrated by practical application, experienced through opportunities to build for current productions. Prerequisite(s): PROD 230.
PROD 410 Set Decoration and Properties
A Production Designer's visual vocabulary includes the design of the properties and set decorations related to the overall design. This course will expose the students to the artistic and organizational skills necessary to execute these visual elements. Students will experience the processes of design and fabrication for properties and set dressings as they relate to both film and stage. They will learn the characteristics of historical periods and techniques for interpreting character through physical elements. Prerequisite(s): PROD 321.
PROD 420 Costume Design II
The purpose of this course is to broaden the students understanding of the relationship between concept and design. Through analysis and discussion the script is explored and a concept of costume design, rooted in script interpretation is developed. A design concept for costumes is then determined from the information and interpretation of the playwrights meaning and intention as well as the student's own reaction to the material. Prerequisite(s): PROD 380.
PROD 430 The Public Event: Concept and Collaboration
This course focuses on the development of conceptualization for the production design disciplines of scenic, lighting, and costume design for the environment of a public performance event. Students in the course work as a team to develop the program and conceptual framework for a nontext based performance event of their choice. Nontraditional and cross disciplinary forms and venues are emphasized. Prerequisite(s): PROD 320 or PROD 321 or PROD 420.
PROD 440 Preproduction for Film
Students will focus, in collaboration with film students, on the preproduction phase of film making by creating the visual elements that support and enhance the narrative of the story. Coursework will include exercises in location selection, survey, and modification. Emphasis will be placed on developing appropriate visual communication, script interpretation, and collaboration. Prerequisite(s): PROD 321.
PROD 450 Off-campus Program: Production Design in New York
New York is the recognized center of the art and entertainment industries. The quality and quantity of production opportunities, resources, and practices for film, television, and theater are some of the best in the world. First hand familiarity with them is essential for a production design student considering a career in these industries. Students will tour major facilities of the industry and view examples of the quality of production invested in their products. Prerequisite(s): PROD 220, PROD 221, PROD 230.
PROD 490 Production Design Portfolio
This course guides students through the design and execution of their final portfolio and features an emphasis on research and analysis of aesthetic and conceptual decisions. The end product is representative of the designer’s abilities and aesthetic sensibilities, and as such may serve as an introduction to potential employers. Prerequisite(s): PROD 430.
In this course, students are introduced to the fundamentals of production design for stage and screen including the application of costume, scenery, lighting and props and their importance in film, theater and television productions. The student is introduced to the impact that scene, light, costume elements and props have in a complete production or performance.
PROD 110 Drafting for Production Design
This course focuses on drafting for the entertainment designer with the intent of making the student fluent in the language of layout, shape, proportion, contour, mass, detail and the drafting standards set by the United States Institute for Theatre Technology.
PROD 130 Stagecraft
Students learn the equipment, techniques and procedures of technical production for stage and screen. Wood working, metalworking and lighting equipment all are experienced and applied.
PROD 150 Introduction to Makeup Design
Makeup design is a subtle, yet essential, part of many artistic undertakings, including fashion, photography, filmmaking and theater. After gaining an understanding of the anatomical structures of the head, face and neck, and the effects of lighting on those structures, students explore makeup products and their applications to create a “natural” face, do corrective makeup, and create a character. Professional standards are emphasized in the application of skills to real situations.
PROD 200 Production Management and Administration
This survey course is designed to familiarize students with the organizational procedures of the theater production process. Major areas of study include stage management and production management, with some reference to video and film production management.
PROD 210 Script Interpretation
This course develops students’ skills to identify relevant structure, plot and themes in script and text work. In addition, students learn the basic themes, structure and concepts that influence production design, performance and other facets of production for stage and screen. Research, critical thinking and analysis of script and text to develop design concepts for production design are also emphasized. The course also develops students’ skills to understand the structure, history and overall themes of published/produced work in screen and stage. Prerequisite(s): PROD 101.
PROD 212 Period Style for Production Design
With a sound historical base, lifestyles and societal influences are examined to understand the look of each period. Emphasis is on a chronological examination and is the goal of this class. The sociological and aesthetic aspects influencing the architecture, furnishings and textiles of the period as well as the subtle use of color indicative to specific periods are addressed. Geographical needs that contribute to style and design also are considered. The goal is that students learn the definitive need for conclusive and rigorous research. Prerequisite(s): PROD 101.
PROD 220 Lighting Design I
This course examines lighting design, from the germination of the idea to the final project. Through class discussion and critiques, students’ lighting concepts are developed and refined. Prerequisite(s): PROD 110, PROD 210.
PROD 221 Scenic Design I
In this course, students focus on the development of scenic design ideas and their application in theater, film and television. By developing, articulating, and defending design concepts, students demonstrate successful scenic design projects for theater, film and television. Prerequisite(s): PROD 110, PROD 210.
PROD 225 Survey of Themed Entertainment Industry
Students in this course will be introduced to the Themed Entertainment Industry. They will explore the process involved in the delivery a new project, observe working operational venues, and study the design and operational criteria utilized during each phase of a project life cycle.
PROD 230 Costume Design I
This studio course explores the exciting and creative world of costuming for stage and screen. Assignments enable students to develop skills in areas such as rendering, swatching, play analysis, fabric modification, masks, hats, draping, accessorizing and productions. Additional practicum time is required and assigned by the professor. Prerequisite(s): PROD 210.
PROD 235 Styles of Hair Design
Students will explore the evolution of hair styling, wigs, and the culture of hair design from ancient times to present day. They will research the social implications associated with facial hair and hair style as adornment and its relationship to class hierarchy and social status. Styles for men and women will be explored by analyzing styling techniques and practices recorded on art of the period.
PROD 260 Scenographic Model Making
This course will focus on the materials and methods used to build scenic models for the stage and the screen. Students will learn techniques that will allow them to build accurate presentation models and work safely with various materials.
PROD 270 CAD for Production Design
This class focuses on hand drafting for the entertainment designer with the intent of making the student fluent in the language of layout, shape, proportion, contour, mass, detail and the drafting standards established by the Unites States Institute for Theatre Technology. Prerequisite(s): PROD 110, PROD 220, PROD 221.
PROD 280 Scenic Painting
Through hands-on projects, students learn a variety of methods to represent an array of surfaces and images by using scenic painting techniques and tools. They experience different medium and equipment necessary to accomplish these goals. Students develop an appreciation of the process and the role of the scenic artist in production. Prerequisite(s): PROD 110, PROD 221.
PROD 300 Rendering for Entertainment Design
Through study of various techniques and medium, design students produce drawings of scenery, costumes, and lighting essential to the production process. By researching influential designers of the 20th century, the student finds a means to communicate with fellow designers as well as evaluate a successful rendering. Prerequisite(s): PROD 101, PROD 220, PROD 221.
PROD 305 Drafting for Lighting Design
This course focuses on the specific drafted communication skills required by lighting designers in film, live entertainment, and themed design. Building these essential skills, distinctive and different from those skills of a scenic or production designer, in both hand drafting and Computer Aided Drafting will refine a student's understanding of the design process. Prerequisite(s): ELDS 225 or PROD 270.
PROD 315 Drafting for Production Design II
This course explores realistic interior period detailing, using pencil drafting. Emphasis is placed on using our eyes and pencils to draw correct period proportion and shapes. Lumber and material sizes are explored in structural drafting. Correct scenic coding conventions are taught. A spreadsheet is used for door, window and hardware schedules. The final project is a period Savannah interior room, which is surveyed and scenically drafted. Students also construct a white model of the room. Prerequisite(s): PROD 110.
PROD 320 Lighting Design II
Through the development of lighting projects, students in this coursework to examine the process of lighting design projects from the germination of the idea to the final product. Students design lighting for events taking place in theaters, film projects, alternative spaces, as well as for media-based applications. Through class discussion and critiques, lighting concepts are challenged and developed. The projects result in two completely documented lighting designs. Students in this course are required to complete a lab component that focuses on practical applications. Prerequisite(s): PROD 220.
PROD 321 Scenic Design II
Using a broad range of drawing, ideation and presentation skills, students master the theoretical understanding and studio skills used in the professional arena of performance events, including stage productions, performance art pieces, installation projects, industrials, film, and television specific applications. Students actualize scenic projects and build portfolio level work. Prerequisite(s): PROD 221.
PROD 324 Themed Entertainment Design
This class will introduce students to the themed entertainment industry. Students will gain practical experience through design projects that will replicate key phases of the typical design process by generating the necessary working drawings and artwork. They will learn to evaluate the success of the guest experience for both proposed and operating attractions, parks, resorts, etc. This work will enhance their portfolio and demonstrate their basic knowledge of the industry design standards. Prerequisite(s): ANIM 385 or FILM 320 or IDUS 250 or INDS 210 or ITGM 352 or PROD 320 or PROD 321 or SERV 216 or SNDS 400 or VSFX 406.
PROD 325 Large Project Design Studio
Students will replicate key phases of large project design process from generating the necessary working drawings and artwork through the generation of detailed plans. A large project typically has a multi-million dollar budget with over a two year design-build schedule, and a diverse multi-disciplinary/departmental design team. Prerequisite(s): PROD 324.
PROD 330 History of Costume in Film
In this course, students focus on the history and development of costume design and its application in theater, film and television. They also develop design concepts and articulate, defend and demonstrate successful costume and wardrobe projects for theater, film and television. Prerequisite(s): PROD 230.
PROD 335 Costume Crafts
Students will complete a process of research, design, and construction of selected costume accessories for use in the visual narrative. They will experience various techniques of hand and machine stitching, fabric painting, color treatments, appliqué, embroidery, soft sculpture, ageing and distressing, and appropriate skills necessary to the support of the storyline. Emphasis will be placed on interpretation of character through the development of physical elements derived from the narrative and historic reference. Prerequisite(s): PROD 230.
PROD 350 Communication Concepts in Lighting Design
This course brings together the skills of documentation and communication with the complexity of advanced design in order to achieve a final lighting design product. Light plots, spreadsheets, databases, and portfolio-quality presentations will be produced by students in order to bring them closer to assistant, associate, and design positions. Prerequisite(s): PROD 320.
PROD 380 Costume Rendering for Construction
This course explores the important connection between rendering and costume construction. Students are encouraged to experiment with various mediums and to develop skills in drawing. Sewing techniques specific to costume building are illustrated by practical application, experienced through opportunities to build for current productions. Prerequisite(s): PROD 230.
PROD 410 Set Decoration and Properties
A Production Designer's visual vocabulary includes the design of the properties and set decorations related to the overall design. This course will expose the students to the artistic and organizational skills necessary to execute these visual elements. Students will experience the processes of design and fabrication for properties and set dressings as they relate to both film and stage. They will learn the characteristics of historical periods and techniques for interpreting character through physical elements. Prerequisite(s): PROD 321.
PROD 420 Costume Design II
The purpose of this course is to broaden the students understanding of the relationship between concept and design. Through analysis and discussion the script is explored and a concept of costume design, rooted in script interpretation is developed. A design concept for costumes is then determined from the information and interpretation of the playwrights meaning and intention as well as the student's own reaction to the material. Prerequisite(s): PROD 380.
PROD 430 The Public Event: Concept and Collaboration
This course focuses on the development of conceptualization for the production design disciplines of scenic, lighting, and costume design for the environment of a public performance event. Students in the course work as a team to develop the program and conceptual framework for a nontext based performance event of their choice. Nontraditional and cross disciplinary forms and venues are emphasized. Prerequisite(s): PROD 320 or PROD 321 or PROD 420.
PROD 440 Preproduction for Film
Students will focus, in collaboration with film students, on the preproduction phase of film making by creating the visual elements that support and enhance the narrative of the story. Coursework will include exercises in location selection, survey, and modification. Emphasis will be placed on developing appropriate visual communication, script interpretation, and collaboration. Prerequisite(s): PROD 321.
PROD 450 Off-campus Program: Production Design in New York
New York is the recognized center of the art and entertainment industries. The quality and quantity of production opportunities, resources, and practices for film, television, and theater are some of the best in the world. First hand familiarity with them is essential for a production design student considering a career in these industries. Students will tour major facilities of the industry and view examples of the quality of production invested in their products. Prerequisite(s): PROD 220, PROD 221, PROD 230.
PROD 490 Production Design Portfolio
This course guides students through the design and execution of their final portfolio and features an emphasis on research and analysis of aesthetic and conceptual decisions. The end product is representative of the designer’s abilities and aesthetic sensibilities, and as such may serve as an introduction to potential employers. Prerequisite(s): PROD 430.
Graduate Courses
PROD 715 Drafting for Film Production
This class allows students to transition to the drafting styles necessary for the entertainment designer with the intent of making them fluent in the language of layout, shape, proportion, contour, mass, detail and the drafting standards accepted across the entertainment industry. An element of the course introduces students to software used for preliminary 3-D renderings of the visual elements. Prerequisite(s):
PROD 720 Production Design Theory and Practice
This is a project driven course that examines design solutions through the specific utilization of the elements and principles of design. These solutions are made manifest through the use of graphite as the main medium and culminate in a short film.
PROD 726 Production Design Studio I
Using a broad range of drawing, conceptualization, and presentation skills, students master the theoretical understanding and studio skills used in the professional arena to develop the narrative. Design projects may include stage productions, performance art pieces, installation projects, industrial-, film-, and television-specific applications. Students will focus on discipline-specific skills in scenery, lighting, or costumes and will actualize design projects and build portfolio level work. Through class discussion, design collaboration, and critiques, design concepts will be developed and challenged. Prerequisite(s): PROD 720.
PROD 730 Script Analysis and Conceptualization
This course requires that students apply established principals of script interpretation by producing design projects based on scripts, screenplays or other narrative source material. Using research, critical thinking, and analytical skills, students develop the analysis process to identify and evaluate successful production designs and their relationship and origin in script and text based material. Prerequisite(s): ARTH 701.
PROD 741 CAD for Production Design
This class focuses on Computer Aided drafting for the entertainment designer, using industry standard software. Students learn and polish their skills in preparing digital production documents to the standards expected in the professional arena of performance events. Prerequisite(s): PROD 720.
PROD 742 Designer Drafting for the Entertainment Industry
This course explores realistic interior period detailing, using pencil drafting. Emphasis is placed on using observation to draw correct period proportion and shapes. Lumber and material sizes are explored in structural drafting. Appropriate scenic coding conventions are taught. A spreadsheet is used for door, window and hardware schedules. A period Savannah interior rooms will be surveyed and scenically drafted. Students construct a white model of the room and use Sketch-up to create an armature for a perspective sketch. Prerequisite(s): PROD 720.
PROD 745 Decorative Arts: Context in Storytelling
This course expands students’ knowledge in the decorative arts, costuming, and movements in the visual arts. Students study and manipulate styles of detail in the building arts, interior design, the visual arts, and costumes and apparel to create a context of visual communication supportive of the story narrative. Prerequisite(s): PROD 726.
PROD 746 Draping as Design for Costume
This course emphasizes the development of skills needed to create advanced shapes and designs directly on the dress stand rather than by using basic blocks or slopers. Students work with different fabric types to learn the use and manipulation of fabric and to learn the variations in fitting procedures. Projects involve developing the conceptual process from the idea to the finished garment, including detailed renderings for construction. Demonstrations and discussions lead to methods suitable for contemporary production methods. Prerequisite(s): PROD 726.
PROD 749 Production Design M.A. Final Project
The Final M.A. Project is the culmination of the sum total of all work, learning and growth by the student over the course of study. The project demonstrates ability and mastery of the design concepts, theory and artistic development of the M.A. student. Prerequisite(s): PROD 720.
PROD 750 Digital Visualization for Production Design
Techniques for developing designs through the use of digital media are taught integrating different software. Computer-aided drafting uses industry standard software. Digital rendering instruction uses a variety of graphic software. Pre-visualization integrates lighting as well as the dimensional form into the conceptualization, articulation, and communication process with the production team. Prerequisite(s): PROD 726.
PROD 756 Evolution of Production Design
This course is an examination of the development of modern theories of production design. It investigates different responses to the problems of creating a vital performance event in the context of an ongoing evolution of performance by looking at the contributions of significant theorists, designers, and movements. This course develops the student’s aesthetic choices through the analysis and criticism of well-known and exemplary production designers and theories.
PROD 757 Lighting Design Documentation and Communication
This course combines the skills of documentation and communication with the complexity of advanced design in order to achieve a final lighting design product. Light plots, spreadsheets, databases, and portfolio-quality presentations will be produced by students in order to prepare them for assistant, associate, and design positions. Prerequisite(s): PROD 726.
PROD 761 Set Decoration
A Production Designer’s visual vocabulary includes the design of the properties and set decorations related to the overall design. Students enhance their skills through the processes of design, fabrication, and interpretation of character through the physical elements of properties and set dressings as they relate to the narrative, using research into the characteristics of historical periods. Prerequisite(s): INDS 712 or PROD 745.
PROD 762 Production Design Studio II
In this course, students produce design materials in their area of specialization and participate in the execution of these designs for practical projects. Emphasis is placed on developing an in-depth process of analysis and translation of information in a storyline to descriptive performance pictures. The importance of developing the student’s ability to collaborate with fellow designers and directors will be stressed. Students explore the actualization of these ideas in a variety of performance media. Prerequisite(s): PROD 726.
PROD 766 Design for Themed Entertainment
This class familiarizes students with the key phases of the design process in the themed entertainment industry. Students will gain practical experience by developing design projects that will replicate the typical design process by generating the necessary conceptual drawings, working drawings, storyboards, and/or essential artwork as a member of a collaborative team. They will analyze the guest experience for both proposed and operating attractions, parks, resorts, etc. They will understand and observe the design standards of the industry. Prerequisite(s): ANIM 721 or ARCH 717 or FILM 732 or IDUS 718 or INDS 712 or INDS 740 or ITGM 721 or PROD 762 or SERV 711 or SNDS 751 or VSFX 755.
PROD 770 Professional Practices in Production Design
Students will experience the development of complex production strategies, the process of communication with production shops, and the professional standards necessary to work in the entertainment industry. Emphasis is placed on refining and clarifying the communication process. Projects are tailored to the discipline of the student. Prerequisite(s): PROD 762.
PROD 772 Production Design Studio III
A design for a single complex narrative production involving advanced scenic, lighting, and/or costume visual solutions for a live performance or film culminates in the completion of a complete, fully articulated package of presentation materials. It explores the use of various presentation techniques including both two and three dimensional options and materials utilized in several performance media to create a visual narrative. A discipline specific portfolio quality presentation materials package is developed during this course. Prerequisite(s): PROD 745, PROD 762.
PROD 780 Special Topics in Production Design
The topic of this course varies from quarter to quarter and focuses on diverse issues in the field of production design. The course gives graduate students the opportunity to pursue projects of interest related to these particular issues. Faculty, course content and prerequisites vary each time the course is offered. The course may include lectures, discussions, individual projects and critiques, depending on the nature of the topic.
PROD 790 Production Design M.F.A. Thesis
The production design thesis is the culmination of the sum total of all work, learning and growth by the student over the course of study. The thesis consists of both a visual and written component.
This class allows students to transition to the drafting styles necessary for the entertainment designer with the intent of making them fluent in the language of layout, shape, proportion, contour, mass, detail and the drafting standards accepted across the entertainment industry. An element of the course introduces students to software used for preliminary 3-D renderings of the visual elements. Prerequisite(s):
PROD 720 Production Design Theory and Practice
This is a project driven course that examines design solutions through the specific utilization of the elements and principles of design. These solutions are made manifest through the use of graphite as the main medium and culminate in a short film.
PROD 726 Production Design Studio I
Using a broad range of drawing, conceptualization, and presentation skills, students master the theoretical understanding and studio skills used in the professional arena to develop the narrative. Design projects may include stage productions, performance art pieces, installation projects, industrial-, film-, and television-specific applications. Students will focus on discipline-specific skills in scenery, lighting, or costumes and will actualize design projects and build portfolio level work. Through class discussion, design collaboration, and critiques, design concepts will be developed and challenged. Prerequisite(s): PROD 720.
PROD 730 Script Analysis and Conceptualization
This course requires that students apply established principals of script interpretation by producing design projects based on scripts, screenplays or other narrative source material. Using research, critical thinking, and analytical skills, students develop the analysis process to identify and evaluate successful production designs and their relationship and origin in script and text based material. Prerequisite(s): ARTH 701.
PROD 741 CAD for Production Design
This class focuses on Computer Aided drafting for the entertainment designer, using industry standard software. Students learn and polish their skills in preparing digital production documents to the standards expected in the professional arena of performance events. Prerequisite(s): PROD 720.
PROD 742 Designer Drafting for the Entertainment Industry
This course explores realistic interior period detailing, using pencil drafting. Emphasis is placed on using observation to draw correct period proportion and shapes. Lumber and material sizes are explored in structural drafting. Appropriate scenic coding conventions are taught. A spreadsheet is used for door, window and hardware schedules. A period Savannah interior rooms will be surveyed and scenically drafted. Students construct a white model of the room and use Sketch-up to create an armature for a perspective sketch. Prerequisite(s): PROD 720.
PROD 745 Decorative Arts: Context in Storytelling
This course expands students’ knowledge in the decorative arts, costuming, and movements in the visual arts. Students study and manipulate styles of detail in the building arts, interior design, the visual arts, and costumes and apparel to create a context of visual communication supportive of the story narrative. Prerequisite(s): PROD 726.
PROD 746 Draping as Design for Costume
This course emphasizes the development of skills needed to create advanced shapes and designs directly on the dress stand rather than by using basic blocks or slopers. Students work with different fabric types to learn the use and manipulation of fabric and to learn the variations in fitting procedures. Projects involve developing the conceptual process from the idea to the finished garment, including detailed renderings for construction. Demonstrations and discussions lead to methods suitable for contemporary production methods. Prerequisite(s): PROD 726.
PROD 749 Production Design M.A. Final Project
The Final M.A. Project is the culmination of the sum total of all work, learning and growth by the student over the course of study. The project demonstrates ability and mastery of the design concepts, theory and artistic development of the M.A. student. Prerequisite(s): PROD 720.
PROD 750 Digital Visualization for Production Design
Techniques for developing designs through the use of digital media are taught integrating different software. Computer-aided drafting uses industry standard software. Digital rendering instruction uses a variety of graphic software. Pre-visualization integrates lighting as well as the dimensional form into the conceptualization, articulation, and communication process with the production team. Prerequisite(s): PROD 726.
PROD 756 Evolution of Production Design
This course is an examination of the development of modern theories of production design. It investigates different responses to the problems of creating a vital performance event in the context of an ongoing evolution of performance by looking at the contributions of significant theorists, designers, and movements. This course develops the student’s aesthetic choices through the analysis and criticism of well-known and exemplary production designers and theories.
PROD 757 Lighting Design Documentation and Communication
This course combines the skills of documentation and communication with the complexity of advanced design in order to achieve a final lighting design product. Light plots, spreadsheets, databases, and portfolio-quality presentations will be produced by students in order to prepare them for assistant, associate, and design positions. Prerequisite(s): PROD 726.
PROD 761 Set Decoration
A Production Designer’s visual vocabulary includes the design of the properties and set decorations related to the overall design. Students enhance their skills through the processes of design, fabrication, and interpretation of character through the physical elements of properties and set dressings as they relate to the narrative, using research into the characteristics of historical periods. Prerequisite(s): INDS 712 or PROD 745.
PROD 762 Production Design Studio II
In this course, students produce design materials in their area of specialization and participate in the execution of these designs for practical projects. Emphasis is placed on developing an in-depth process of analysis and translation of information in a storyline to descriptive performance pictures. The importance of developing the student’s ability to collaborate with fellow designers and directors will be stressed. Students explore the actualization of these ideas in a variety of performance media. Prerequisite(s): PROD 726.
PROD 766 Design for Themed Entertainment
This class familiarizes students with the key phases of the design process in the themed entertainment industry. Students will gain practical experience by developing design projects that will replicate the typical design process by generating the necessary conceptual drawings, working drawings, storyboards, and/or essential artwork as a member of a collaborative team. They will analyze the guest experience for both proposed and operating attractions, parks, resorts, etc. They will understand and observe the design standards of the industry. Prerequisite(s): ANIM 721 or ARCH 717 or FILM 732 or IDUS 718 or INDS 712 or INDS 740 or ITGM 721 or PROD 762 or SERV 711 or SNDS 751 or VSFX 755.
PROD 770 Professional Practices in Production Design
Students will experience the development of complex production strategies, the process of communication with production shops, and the professional standards necessary to work in the entertainment industry. Emphasis is placed on refining and clarifying the communication process. Projects are tailored to the discipline of the student. Prerequisite(s): PROD 762.
PROD 772 Production Design Studio III
A design for a single complex narrative production involving advanced scenic, lighting, and/or costume visual solutions for a live performance or film culminates in the completion of a complete, fully articulated package of presentation materials. It explores the use of various presentation techniques including both two and three dimensional options and materials utilized in several performance media to create a visual narrative. A discipline specific portfolio quality presentation materials package is developed during this course. Prerequisite(s): PROD 745, PROD 762.
PROD 780 Special Topics in Production Design
The topic of this course varies from quarter to quarter and focuses on diverse issues in the field of production design. The course gives graduate students the opportunity to pursue projects of interest related to these particular issues. Faculty, course content and prerequisites vary each time the course is offered. The course may include lectures, discussions, individual projects and critiques, depending on the nature of the topic.
PROD 790 Production Design M.F.A. Thesis
The production design thesis is the culmination of the sum total of all work, learning and growth by the student over the course of study. The thesis consists of both a visual and written component.
