The star-studded line up of Savannah College of Art and Design’s third annual television festival sent #aTVfest trending. But true to the tag line – Go Behind the Screen - the buzz was as much about the people who make television as it was about the people on it. In addition to the actors, directors, producers, editors, show runners and programmers shared invaluable insights on the state of the industry. Below are some of the recurring themes that emerged from the panels and screenings.
On Saturday, February 7 at 11 a.m. EST, watch the aTVfest Television Roundtable live from Atlanta. TV journalists will offer their insight on the state of the industry, including why television is in a golden age, the impact of airing online versus broadcast and cable, their favorite TV shows and more.
Whether on the screen or behind it, above the line or below it, Savannah College of Art and Design alumni are making their mark on television. In honor of aTVfest (Feb. 5 – 7), we scoured our research to show you where. As producers, post supervisors, actors, DPs, art directors, visual effects artists, writers, and more, SCAD alumni are employed by the networks, or productions by the networks, on the map below. Just a snap shot, so that next time you’re watching Game of Thrones, for example, you can say, “Hey, a fellow SCAD grad did that.”
Savannah College of Art and Design opened André Leon Talley’s Oscar de la Renta: His Legendary World of Style (Feb. 5 – May 3) with a celebratory preview at SCAD Museum of Art. The fifty gowns, chosen by Talley for the first posthumous show to honor the designer, were the most illustrious VIPs in attendance. The dresses, loaned by Mr.
The resurgence of TV is attracting a new generation of talent. Students are increasingly interested in jobs for the small screen, whether they are above or below the line. I tell them it’s a great time to get in, and that chances are good they’ll one day work for the same shows they binge watch. It seems that people used to get into the business because they were well connected, starry eyed, or gluttons for rejection. But the reasons why TV is a great career to shoot for are now better than ever. Here’s a few:
What does Savannah have in common with Hong Kong, Cartagena, Venice and Mumbai? As a port city, it has long been connected to global trade networks that have existed as long as the oldest human civilizations. Consider a lowly piece of Savannah pavement – a remarkable cobblestone etched with Chinese characters that began its life as a tombstone in China in 1798, became ballast in a ship in the 19th century, and ended up in Savannah as a cobblestone.
Legacy can be tangible and intangible. In the case of Oscar de la Renta, it is both, and it is flourishing in a place where young designers begin their careers. During his 2001 visit to Savannah College of Art and Design’s fashion show to accept the André Leon Talley Lifetime Achievement Award, the designer shared this wisdom for breaking into the industry based on his own start with Cristóbal Balenciaga.
The rise of the Asian fashion market means up and coming designers no longer exclusively eye New York or Paris as launching pads for their careers. Nor does the industry expect that the next generation will hail from one of the traditional fashion capitols. Think Hong Kong’s Henry Lau. In addition to its proximity to the juggernaut of the Chinese market, for example, Hong Kong is home to major brands like Gucci, D&G, LV and Prada – all of which need new talent to thrive and evolve.
The convergence of our celebrity culture and the proliferation of platforms for visibility have succeeded in putting artists on a pedestal. In an environment where, as the saying goes, ‘content is king’, we’ve come to perceive those who create it as being the ultimate authorities. But is the artist really the authority? And does being called an artist make you one?
Savannah College of Art and Design and André 3000 Benjamin opened the co-produced exhibition i feel ya at Mana Miami this week, letting the public in on their longstanding relationship. The crowds that flocked to the VIP reception represented interests as diverse as the pieces in the installation, from SCAD alumni and students in fields like performance, sequential art and film, to die hard fans of hip-hop.
Director Greg Brunkalla (B.F.A., video/film, 2001) belongs to the triumvirate of artists whose work comprises the Savannah College of Art and Design exhibition, i feel ya (Dec. 3 – 14 at Mana Miami). André 3000 Benjamin’s signature jumpsuits, worn during Outkast’s 20th anniversary reunion tour, anchor the exhibit and inspired Greg’s film, Trumpets.
The fifth installment of Garden & Gun’s Made in the South Awards issue is on newsstands. Who better to partner with to honor regional artisans than Savannah College of Art and Design, a clearinghouse of emerging makers? Before they were announced, this year’s Made in the South trophy-takers in the categories of Outdoor, Food, Home, Drink and Style & Design were celebrated at SCAD. Below are a few of our own Made in the South stars who got their start in SCAD classrooms.
Here's to the 413 new alumni from Savannah College of Art and Design who graduated in the university's 35th commencement ceremonies. We agree with Academy Award-winning screenwriter Geoffrey Fletcher's characterization of you as individuals and as a class: you are brilliant 'containers of gifts that you will share with the world.' Please keep us posted on all that you do.
It was one of the most anticipated musical acts in years: the Outkast 20th anniversary reunion. And it’s not over…quite yet. The 47 jumpsuits, donned on stage during the tour by the Grammy Award-winning duo’s André 3000, are getting a second life when they go on display in the exhibition i feel ya: SCAD + André 3000 Benjamin (Dec. 3 – 14 at Mana Miami).
Don’t let the 90 screenings at Savannah Film Festival fool you. Savannah College of Art and Design’s week-long celebration of film is about more than art. It’s about the transactions and preparation that make it possible for us to experience the art. It’s about business: the elephant in most festival venues this week. Or if you’re film student Yang Xiao (M.F.A., film and television student), it’s the spaceship.
I’m fortunate enough to be working at the 2014 Savannah Film Festival (Oct. 25-Nov. 1). I started with the festival in 2012 as an intern and moderator during my first year in graduate school at Savannah College of Art and Design. In 2013, I interned again under the festival’s director of operations. My festival experiences were so valuable that my thesis topic was, Beyond the Film: A Local History and Analysis of the Savannah Film Festival.
In the midst of the count down to Savannah Film Festival 2014 (Oct. 25 - Nov. 1), a batch of Adam Kuehl’s distinctive portraits of Savannah College of Art and Design's honorees went up in Jen Library. From where the portraits hang in Jen’s study rooms, it’s hard to decipher who is ogling whom. Do the students glance up between chapters to study the faces of the film icons whose paths they want to trace?
By Chris Smith
Illegal ivory poaching and vast deforestation has plunged the population of Asian elephants to dangerous lows. Roughly 50,000 of their kind are left in the world, according to several international conservation reports. The outlook on their long-term survival is grim, with the International Union for the Conservation of Nature placing them on the endangered Red List and some predicting the species will be extinct in the wild as soon as 2050.
This week, Savannah College of Art and Design brings home three honors from the American Institute of Architects convention: the AIA Young Architect’s Award, the AIA Fellowship for Emerging Leaders and the 2014 AIA National Honor Award for Architecture for the SCAD Museum of Art.
What would it look like if architects were allowed to be artists again; as comfortable in the manual and intuitive realms of drawing, painting and sculpture as with parametric modeling and digital imaging? What if we were to reject the limitations of product-driven, systematic design and production and re-engage the full range of tools innately available and refined over the course of millennia?