English jewelry maker Andrew Prince is across the pond for a U.S. tour that includes Bergdorf Goodman, which sells his designs, and Kleinfelds in New York City. He’ll give a public lecture at Savannah College of Art and Design on April 30 at 5:00 p.m.
This week we've featured the reflections of Savannah College of Art and Design alumni in the Northeast, South, West and Midwest on their industries and the education that prepared them for their careers. We'd be remiss to not feature the faculty members responsible for helping to direct their paths.
From the South, we move West and Midwest for our last installment in this week's series on Savannah College of Art and Design alumni. For those of you who can't make Alumni Weekend 2014 (April 25-27), think of it as a virtual homecoming. With your help and input, however, this reunion of stories can continue througout the year.
Tonight, Prasad Narse (M.F.A., animation, 2014) will learn whether he'll take home one of the most coveted prizes for film and television students: a College Television Award for his animated short "I M Possible." Watch the live webcast of the 35th annual awards tonight at 7:30 p.m. PDT.
Next in our week-long series profiling Savannah College of Art and Design alumni are four artists and designers who represent the South. They've set up shop relatively close to SCAD's flagship location in Savannah and Atlanta stomping grounds, but have gone far in terms of creating successful entrepreneurial enterprises, and they reflect the wisdom to prove it.
For the first wave of Savannah College of Art and Design alumni snapshots that we're featuring on Thread this week, here's a sampling from the Northeast. Whether they happen to be your geographical neighbors, or hail from your graduating class, read on to find out what these alumni are doing now, their perspectives on their profession and advice for aspiring artists and designers. Chuck Chewning, 1986
Gadflies like Google have tipped us off that our work places needn’t be drab utilitarian environments lacking inspiration and intentional design. Mohawk Flooring is one of the latest employers to create a place that’s as imaginative as it is functional; that speaks to its history as one of the world’s most successful manufacturers of floor coverings.
Ok, so we’re a little biased in that all of these games bear the imprint of students, faculty or alumni from Savannah College of Art and Design animation or interactive design and game development, one of Princeton Review's top programs for Video Game Design.
Suffice it to say that counter and storage space will be scant in Savannah College of Art and Design’s SCADpad® micro-house, measuring 8 feet wide by 16 feet long. So where will the inhabitants put all their, well, stuff? This is the challenge that industrial design students working on SCADpad received.
Sound. It’s the silent hero of so much of what we consume. But often, because of its brilliant subtlety - owing to the skill of a professional or nature’s omnipotence - we don’t even notice it’s there. Were you conscious of the sounds around you when you just read that sentence? Exactly. But if they stopped, you’d notice. Same goes with those surreal game enhancing noises in Madden NFL 25 or explosions in Call of Duty. The experience wouldn't be the same without them.
Though their names have yet to be announced, the students who will have the good fortune to live in the micro-housing prototypes being constructed at Savannah College of Art and Design weigh heavily on the minds of the designers and builders who are quickly making SCADpad® a reality.
Every year, advertising faculty from Savannah College of Art and Design review work done by our students from fall quarter to fall quarter. The best work competes in the annual SCADDY Awards. This year, the awards were held entirely online.
Growing up white in northern Ohio in the 1960’s, I was told that a tavern owned by my family many generations ago may have been part of the Underground Railroad. As a result, I thought a lot about the Underground Railroad as a child and felt proud that maybe, just maybe, my relatives had taken risks to do the right thing.
Hanging amidst the exhibitions of celebrated contemporary artists at SCAD Museum of Art is the work of 14-year-old Winter Jones. I never would have suspected that I would have the chance to put one of my pieces inside of a museum as good as this.
By David Trayte
With the Winter Olympics in full swing, you’ll forgive me if I have more on my mind than figure skating, ski slopes, and curling. After months of studying the impact Olympic Games have on our cities for my graduate thesis, "Olympic Theatrics on the Global Stage: Evaluating the effects of temporary and permanent event structures on historic urban landscapes," it’s nearly impossible to acknowledge the Games at face value.
The Virtual and Augmented Reality panel at aTVfest, with Janet Arlotta and John Howell from North Carolina-based (n+1) designstudio, opened my eyes to how 3D and motion media are giving producers on live TV sets unlimited possibilities.
Whether scripted or unscripted, television content doesn’t have an audience without promotion. The Promoting the Product panelists at aTVfest shared their approaches for attracting and building an audience, as well as proven methods for mutual promotion in today’s integrated media environment.
Hosted by TV Week's Hillary Atkin, aTVfest's Q-and-A with Tim Gibbons, the executive producer of HBO’s monumental comedy Curb Your Enthusiasm and BET’s runaway hit Real Husbands of Hollywood, two shows that thrive on improvisation, fittingly gave the audience an improvised list of Truths f
One of the hardest things about selling a show idea is trying to figure out what your target, be it a network or production company, is thinking. The perfect formula of what they want and how they want it always seems elusive.
By Chris Auer
I teach a class at Savannah College of Art and Design where students write original television pilots. Lucky me, I get to read exciting material from writers who are just finding their voices and have something to say. As a teacher, it doesn’t get much better than that.