- Career + Alumni
- Life at SCAD
- About SCAD
"I strongly believe in the value of process over product in a training environment. I feel that it is far more important in the educational setting to encourage exploration of an opportunity in which it is possible to fail and to reinforce the value of failing brilliantly, than to allow the student to rely on old habits and already-learned tricks. I encourage my students to push the edge of the envelope or possibility, to be changed from the mindset of 'I can't do that' to 'What happens if I try that?' I also believe in a holistic approach to actor training: the best teaching happens when lines of communication are open between voice, speech, movement and acting faculty. Only in this way will the student learn to include the whole self in the entire act of creation."
Chair, Voice and Speech Committee, Southeastern Theatre Conference; founding member, Blue Coat Repertory Theatre, New York City
Certificate of Distinction in Teaching, Bok Learning Center, Harvard University; Joseph R. Levenson Teaching Prize nomination, Harvard University; Off-Off Broadway Review Critics Choice Award
Southeastern Theatre Conference, Voice and Speech Teachers Association, Voice Foundation, Alpha Psi Omega, American Massage Therapy Association
Voice and speech instructor, Harvard University; teaching fellow, American School, Moscow Art Theatre School; adjunct professor, University of Colorado, Colorado Springs; teaching fellow, Harvard University; teaching assistant, Harvard Extension School; production vocal coach, Savannah College of Art and Design, Shakespeare Theatre of New Jersey, THEATREWORKS, American Repertory Theatre, Moscow Art Theatre American Studio, Institute for Advanced Theatre Training and Harvard/Radcliffe Dramatic Club